Yee I-Lann
Borneo Heart, 2022
사바 주 정부 인쇄소에서 오프셋 인쇄
59.4 × 84.1cm
Off-set print printed at Sabah State Government Printers
59.4 × 84.1cm
Borneo Heart is a poster map of the world that literally places Borneo at the center of Southeast Asian regionalism and worldmaking.The early 1960s saw the consolidation of discourses on Malayan solidarity with the formalization of Maphilindo, a short-lived confederation of then-Malaya, the Philippines, and Indonesia based on a pan-Malayan ethnos. Borneo assumes a central role in this milieu as it plays out the limits and excesses of this configuration in relation to discourses of sovereignty, neocolonialism, and communism, and how these frame issues of regionality and region-formation. Sabah, located in the island of Borneo, in particular, became a site of a confrontation in which both diplomacy and armed conflict were deployed. In 1962, the Philippines staked its claim to the territory against the British colonial power, which led to a meeting between the two states in 1963 in London wherein both framed the issue of Sabah within diplomatic relations and the impinging threat of communism in the region. In 1963, armed conflict sparked in Sabah led by “freedom fighters” was encouraged by Indonesian state propaganda against the establishment of Malaysia, branding it as a British neo-colonial ploy and empowering the armed offensive via covert military aid. This armed conflict and propaganda is enshrined in Indonesian President Sukarno’s policy of Konfrontasi, which aimed to forestall, if not prevent, the formation of Malaysia. Borneo Heart speaks to this history and the centrality of Borneo in Cold War Southeast Asian regionalism.
Yee I-Lann (b. 1971) currently lives and works in Kota Kinabalu in the Malaysian Borneo state of Sabah. Her primarily photomedia-based practice engages with archipelagic Southeast Asia’s turbulent history with works addressing issues of colonialism and neo-colonialism, power, and the impact of historic memory in social experience, often with particular focus on counter-narrative “histories from below.” She employs a complex, multi-layered, visual vocabulary drawn from historical references, popular culture, archives, and everyday objects. She has in recent years started working collaboratively with sea-based and land based communities and indigenous mediums in Sabah. She is a co-founding associate of The Ricecooker Archives: Southeast Asian Rock ‘n’ Roll Treasury with her partner Joe Kidd and has worked as a production designer in the Malaysian film industry. She is currently a board member for Forever Sabah and Tamparuli Living Arts Center (TaLAC), both based in Sabah.
