Passion of Darna is a text and soundscape installation comprising one moment in the work of Jocson as part of The Filipino Superwoman Band. The work involves a Public Announcement speaker horn embellished to recall a disco ball that plays the titular Pasyon. The pasyon is a popular form of religious song that narrates the suffering of Jesus Christ, typically sung during Lent. In Jocson and The Filipino Superwoman Band’s recreation, the pasyon interweaves with the figure of Darna, the local counterpart of the female superheroine figure Superwoman by way of the 1980s ballad “Superwoman” by African American R&B singer Karyn White, a Tagalog cover of which was popularized by Filipina singer Jenine Desiderio in the 1990s titled “Hindi ako si Darna (I am not Superwoman).” Sung by a female persona, the song narrates the everyday contexts of feminized labor within a domestic partnership. By superimposing the two texts and interweaving the Judeo- Christian ur-text with this popular ballad, the performance relocates the suffering of the canonical figure of Christianity within the intimacies of everyday feminized labor, the same labor that defines the currency of the Overseas Filipino Worker—majority of whom are employed as caretakers and domestic helpers—that has become a major driver of the economy of the Philippines. A series of blackout texts based on the lyrics of White’s song facet this narrative and open it to a number of perspectives through which feminized labor is foregrounded.